Everything people ask
before they wrap.

Typically up to 70% less than replacing the same surfaces. Every space is different, so we visit, measure and show you samples first — then prepare an accurate estimate. The visit carries a call-out fee, credited back when you go ahead.

Far less than replacing — typically up to 70% less than a new kitchen in the same layout. Kitchens are priced per door, drawer front and panel after a survey, because no two are the same size or condition. We visit, measure and show you samples against your space, then prepare an accurate written estimate. The visit carries a call-out fee, credited back when you go ahead.

Usually because the film is different. Much of the low-priced market wraps with decorative vinyl — a product made for signage and craft use, not for surfaces that are touched and cleaned every day — and stops the finish at the visible face. We install architectural film only, from the houses architects specify, with edges and returns wrapped and the exact reference named on your quote. The gap between the two quotes is the gap between year one and year five.

Yes. Your price comes after a real measure-up, in writing and itemised, and the quote shows the measurements behind every number so you can compare totals for the same scope. If something genuinely unforeseen surfaces once we start, the work pauses until you have agreed the extra — with a price, in writing. Your quoted price is a commitment, not bait.

In three plain stages, all of them invoiced. The measure-up visit carries a call-out fee, credited back when you go ahead. The deposit is reasonable, properly invoiced, and tied to a confirmed installation date — so it buys you a place in the diary, not a wait. The balance falls due on completion — after you have inspected the work, never before.

We arrange a measure-up visit and bring the film brands’ sample books to you, then prepare your estimate. A call-out fee secures the visit — and is credited back when you go ahead. Requesting a quote takes about two minutes.

Send the quote form — about two minutes — or call us on +27 74 906 5616. We come back to arrange the measure-up visit, bring samples to your space and issue a written estimate afterwards. Wrapt Interiors™ works across Johannesburg and Gauteng, and nationwide by arrangement.

Architectural film is a self-adhesive interior surfacing vinyl — a thin, engineered film that bonds over an existing surface and takes on its shape, including curves, returns and edges. It is specified and installed like a finish, not like wallpaper: trained installers prepare the substrate, cut to the element and wrap it in situ. It is also sold as architectural vinyl, architectural interior film or architectural wrapping film — the same product family under different names.

Class of material, and standard of installation. Architectural film is manufactured as a building finish: engineered for daily contact and cleaning, catalogued by reference, and carrying its manufacturer's published specification and warranty. Ordinary decorative or signage vinyl is a different product built for a different job, and much of the low-priced wrapping market runs on it. The distinction shows up later, not sooner — at the edges, on the references, and when a warranty is actually called on. We install architectural film only, named on the specification so it can be verified.

Cover Styl’, Bodaq, 3M DI-NOC and LX Hausys, alongside premium solids and effect films — over 1,500 finishes in total. The film named on your specification is the film that goes on your surface, and the roll labels are there to check on install day.

Yes — this is genuine architectural film, a building finish that happens to arrive on a roll. The films hold a wood grain, a marble vein or a brushed-metal sheen so convincingly a keen eye can't tell.

We specify from over 1,500 architectural film finishes — Cover Styl’, Bodaq, 3M DI-NOC and LX Hausys — including a deep range of solid colours, so brand palettes are usually matched from stock ranges. Bring us your colour reference and we will sample against it before anything is committed.

It's a sacrificial wear layer. The film — clear, or matched to your existing finish — bonds over the surface, so scratches, scuffs, UV and spills land on the film instead of the material underneath. When the film has done its job, it's the film you renew, not the surface.

Absolutely. Wrapping happens in situ — no dust, no noise and no skip in the driveway. Most kitchens are done in a day or two and back in use the same week.

Most kitchens are wrapped in two to four days, in situ. There is no demolition, no dust and no skip in the driveway — the kitchen is back in use the same week, and in many cases you keep using it around us.

Where it produces a better wrap, yes — doors and drawer fronts come off so faces, edges and returns can be finished properly, then go straight back on their existing hinges. Carcasses, panels and counters are wrapped in place. Either way, your layout, hinges and handles are untouched unless you ask us to change them.

Yes, with an honest caveat: film performs hardest on vertical and furniture surfaces — doors, panels and cabinetry. Counters can be wrapped and look superb, and with sensible care (a board for cutting, a trivet for hot pans) they hold up well. We will tell you plainly what your worktop can expect before you decide.

Yes. Fridges, freezers, dishwasher fronts and other large appliances take architectural film beautifully — matched to the new kitchen so everything reads as one design, or wrapped as a deliberate statement piece. It is the fastest way to bring an appliance that still works perfectly into a kitchen that has just been transformed around it.

It is one of the strongest cases for it. A tired kitchen is made presentable between tenancies in days rather than weeks, for a fraction of a replacement, with no demolition and no void period. Single damaged panels can be re-wrapped later without touching the rest of the kitchen.